Flats have always fascinated me. There is something exotic
about them. They are so Continental European in tradition and subject matter –
Peasants War, the Thirty Years’ War and the like. And, the way they are crafted
from line drawings which are then transferred and revered carved into two pieces
of slate that have to marry for the cast to work. And the way under a real
master a near two-dimensional figure works of art, such as these by Bistulfi.
I finally started collecting flats – some painted, some not -
, when I was living in Vienna, Here there is a small, arcane but vibrant scene
shops opening at odd hours run as much a hobby and clubs as businesses.
I even managed a painting class at Atelier
Harlequin with the master painter of flats, Norbert Heyse. This is
one of my favourite pieces by him Henry VIII – the undulating carpet is amazing.
I had my first dabble with oils, painting this landsknecht captain , though Heyse managed to achieve more with a few corrective
brush strokes than I did the rest of the day. I deliberately left the figure as
WIP.
These two cavalry figures, are however a bit more modest in
execution, and a bit of an experiment, using acrylics - frowned upon in the flat
painting community – and the Wargame Foundry/Dallimore method. One was
undercoated black, the other white and they do have a different finish. I’m
happy with the end result, even if they don’t make the cut of Heyse or Bistulfi.
If you are interested in knowing more do look at British Flat Figures Society or Michael
Taylor’s Art of the Flat Tin Figure.
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